"Concerto for flute, strings and basso continuo in G Major QV5:174: II. Arioso e mesto" by Johann Joachim Quantz, Kammerakadamie Potsdam/Emmanuel Pahud/Trevor Pinnock was released on November 7, 2011. With this song being about 5 minutes long, at 5:14, "Concerto for flute, strings and basso continuo in G Major QV5:174: II. Arioso e mesto" by Johann Joachim Quantz, Kammerakadamie Potsdam/Emmanuel Pahud/Trevor Pinnock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "The Flute King: Music from the Court of Frederick the Great". In this album, this song's track order is #11. Concerto for flute, strings and basso continuo in G Major QV5:174: II. Arioso e mesto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for flute, strings and basso continuo in G Major QV5:174: II. Arioso e mesto by Johann Joachim Quantz, Kammerakadamie Potsdam/Emmanuel Pahud/Trevor Pinnock having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: IV. Largo | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | B Minor | 0 | 10A | 88 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 122 BPM | ||
Water Music, Suite No. 3, HWV 350: Water Music, Suite No. 3, HWV 350: XX. [Gigue 1] - XXI. [Gigue 2] da capo | George Frideric Handel, Akademie für Alte Musik Berlin | F♯ Minor | 1 | 11A | 122 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Concerto Grosso No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM |
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