Pablo de Sarasate, Joshua Bell, Samuel Sanders's 'Carmen Fantasy, Op. 25 - Arr. Waxman' came out on January 1, 2005. Carmen Fantasy, Op. 25 - Arr. Waxman appears to be safe for all ages as it is not explicit. There are a total of 31 in the song's album "Presenting Joshua Bell / Kreisler". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The popularity of Carmen Fantasy, Op. 25 - Arr. Waxman is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Fantasy, Op. 25 - Arr. Waxman by Pablo de Sarasate, Joshua Bell, Samuel Sanders having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Albeniz Tango from España OP. 165 No.2: Isaac Albéniz | Mela Tenenbaum | G Major | 1 | 9B | 104 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Polonaise de Concert in D Major, Op. 4 | Henryk Wieniawski, Joshua Bell, Peter Dugan | D Major | 2 | 10B | 98 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | ||
Romance | Henryk Wieniawski, Matthieu Arama, Aurélien Pontier | C Minor | 1 | 5A | 83 BPM |
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