Mela Tenenbaum's 'Albeniz Tango from España OP. 165 No.2: Isaac Albéniz' came out on 1995. The duration of Albeniz Tango from España OP. 165 No.2: Isaac Albéniz is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Albeniz Tango from España OP. 165 No.2: Isaac Albéniz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Albeniz Tango from España OP. 165 No.2: Isaac Albéniz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Albeniz Tango from España OP. 165 No.2: Isaac Albéniz by Mela Tenenbaum having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: Tempo primo (H) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 90 BPM | ||
Wienawski: Kujawiak | Tenenbaum & Kapp | A Minor | 1 | 8A | 140 BPM | ||
Quartet in G major / Sol majeur / G-dur: I. Largo - Allegro - Largo | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | F♯ Major | 1 | 2B | 123 BPM | ||
Bourree: Partita No. 3, BWV 1006 | Mela Tenenbaum | A Major | 1 | 11B | 97 BPM | ||
Sonata in G Minor for Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Heinrich Schiff, Elisabeth Leonskaja | A Minor | 2 | 8A | 125 BPM | ||
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
Gliere: Romance | Tenenbaum & Kapp | D Major | 1 | 10B | 172 BPM | ||
5 Spanish Dances, Op. 12: I. Allegro brioso | Moritz Moszkowski, Mela Tenenbaum, Richard Kapp | C Major | 2 | 8B | 123 BPM | ||
Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM |
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