Ruggero Leoncavallo, Joseph Schmidt, Staatskapelle Berlin, Selmar Meyrowitz's 'Mattinata' came out on January 1, 2004. With Mattinata being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Schmidt - A Song Goes Round The World". In this album, this song's track order is #20. In terms of popularity, Mattinata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mattinata by Ruggero Leoncavallo, Joseph Schmidt, Staatskapelle Berlin, Selmar Meyrowitz having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Pagliacci / Act 1: "E allor perché, di', tu m'hai stregato" | Ruggero Leoncavallo, Paolo Coni, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 140 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Grande Polonaise in E-flat Major. Molto allegro | Frédéric Chopin, Janusz Olejniczak, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | E♭ Major | 2 | 5B | 109 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM |
Section: 0.6361689567565918
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