Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom
Claude Debussy, Arthur Gold, Robert Fizdale
Erik Satie & Friends
2:45 1949
BPM
142
Key
G Major
Camelot
9B

Embed

Share Link

Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom - Claude Debussy, Arthur Gold, Robert Fizdale Information

Acousticness
99%
Danceability
38%
Energy
2%
Instrumentalness
84%
Liveness
10%
Loudness
47%
Speechiness
4%
Valence
4%
Popularity
Loudness
-31.679 dB

Summary

"Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom" by Claude Debussy, Arthur Gold, Robert Fizdale was released on 1949. The duration of Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 204 in Erik Satie & Friends by Erik Satie. Based on our statistics, Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom BPM

The tempo marking of Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom by Claude Debussy, Arthur Gold, Robert Fizdale is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
Liebesleid (Love's Sorrow) by Fritz Kreisler, Sergei Rachmaninoff, RueiBin ChenLiebesleid (Love's Sorrow)Fritz Kreisler, Sergei Rachmaninoff, RueiBin ChenA Major211B98 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf by Edvard Grieg, Alice Sara OttLyric Pieces Book I, Op. 12: No. 7 Album LeafEdvard Grieg, Alice Sara OttD Major210B121 BPM
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) by Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO CellosLe Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble)Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO CellosG Major19B69 BPM
Suite pastorale: III. Sous-bois by Emmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerSuite pastorale: III. Sous-boisEmmanuel Chabrier, Wiener Philharmoniker, John Eliot GardinerG Major09B0 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichC Minor05A177 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenutoLudwig van Beethoven, Alice Sara OttD♭ Minor012A168 BPM
Concerto en ré mineur, BWV 974: II. Adagio by Johann Sebastian Bach, Alexandre TharaudConcerto en ré mineur, BWV 974: II. AdagioJohann Sebastian Bach, Alexandre TharaudD Minor27A85 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha ArgerichSonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. AndanteLudwig van Beethoven, Mischa Maisky, Martha ArgerichC Major08B66 BPM
Young Birches, Op. 128, No. 2 by Amy Beach, Joanne PolkYoung Birches, Op. 128, No. 2Amy Beach, Joanne PolkF♯ Minor111A170 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8392660617828369

End: 0.8451344966888428