"Nocturnes: 4. Epilogue: Voici le soir" by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt was released on October 26, 2018. The duration of Nocturnes: 4. Epilogue: Voici le soir is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Nocturnes: 4. Epilogue: Voici le soir's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt's "Light Eternal – The Choral Music of Morten Lauridsen" album is number 15 out of 17. Nocturnes: 4. Epilogue: Voici le soir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nocturnes: 4. Epilogue: Voici le soir by Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Chansons des Roses: V. Dirait-on | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 0 | 3B | 141 BPM | ||
Sfogava con le stelle | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 131 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
Missa brevis in C Major, K. 220: II. Gloria | Wolfgang Amadeus Mozart, Jens Wollenschläger, Petra Labitzke, Barbara Werner, Daniel Sans, Christoph Fischesser, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt | G Major | 1 | 9B | 73 BPM | ||
Lux aeterna: O Nata Lux | Morten Lauridsen, Schola Cantorum Reykjavicensis, Hörður Áskelsson | C Minor | 0 | 5A | 81 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Amor de mi Alma | Z. Randall Stroope, University of North Texas A Cappella Choir, North Texas Chamber Choir, Jerry McCoy | D♭ Major | 0 | 3B | 134 BPM | ||
Have Mercy Upon Me, O God, After Thy Great Goodness (Psalm 51) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 1 | 9B | 75 BPM |
Section: 0.6216015815734863
End: 0.6266872882843018