Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells - Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland Information

Acousticness: 94%
Danceability: 29%
Energy: 11%
Instrumentalness: 68%
Liveness: 21%
Loudness: 66%
Speechiness: 4%
Valence: 6%
Popularity: 0%
Loudness: -20.259 dB

Summary

"Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells" by Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland was released on January 1, 2007. The duration of Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells is about 3 minutes long, at 3:23. Based on our data, "Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #15. Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells BPM

With Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells by Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Wexford Bells - Suite on old Irish tunes (1970): Wexford Bells Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM
The Tender Land Act II: Finale	Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra	F Major	1	7B	66 BPM
Toccata all’Elevazione in F Major, Op. 1, No. 12 "Adagio"	Domenico Zipoli, Francesco Giovannini, Sally Maer, William Motzing, Alexandre Oguey, Sinfonia Australis	F Major	1	7B	84 BPM
Karelia Suite, Op. 11: III. Alla marcia: Moderato	Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen	A Major	2	11B	78 BPM
Springtime Suite: I	Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny	B♭ Major	1	6B	81 BPM
Koanga / Act 2: La Calinda	Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner	D Major	2	10B	90 BPM
Legende	Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little	A♭ Major	1	4B	86 BPM
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": III. Andante. Andante elegiaco	Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra	G Minor	1	6A	105 BPM
On the Town: I. The Great Lover	Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop	B♭ Major	0	6B	109 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8457067012786865

End: 0.8501114845275879