Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon made "Dardanus: Air vif" available on May 1, 2012. The duration of Dardanus: Air vif is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Dardanus: Air vif's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Rameau: Dardanus - Le temple de la Gloire". In this album, this song's track order is #4. Based on our statistics, Dardanus: Air vif's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dardanus: Air vif by Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | G Minor | 1 | 6A | 74 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Dido and Aeneas, Z. 626 (Arr. for String Orchestra by Leopold Stokowski): When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 80 BPM |
Section: 0.5802440643310547
End: 0.5839917659759521