"Symphony No. 1 in C Minor, Op. 6: III. Allegro vivace" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors was released on 1997. Since Symphony No. 1 in C Minor, Op. 6: III. Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Bengtsson: "Vettern" - Symphony No.1 - "I Vadstena Kloster" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors. In terms of popularity, Symphony No. 1 in C Minor, Op. 6: III. Allegro vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Minor, Op. 6: III. Allegro vivace by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 63 BPM | ||
Verklärte Nacht, Op. 4 (version for string orchestra): Poco adagio [Transfigured Night] | Arnold Schoenberg, Ulster Orchestra, Takuo Yuasa | G Major | 1 | 9B | 89 BPM | ||
Légende Op. 17 | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | G Minor | 1 | 6A | 62 BPM | ||
Concerto gregoriano, P. 135: I. Andante tranquillo | Ottorino Respighi, Sir Edward Downes, BBC Philharmonic Orchestra, Lydia Mordkovitch | F Major | 0 | 7B | 130 BPM | ||
The Seasons, Op. 67, Pt. 3 "L’été": No. 11, La barcarolle (Entrée des naïades, le satyres et des faunes) | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso - Andante - Live | Pyotr Ilyich Tchaikovsky, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B Minor | 1 | 10A | 136 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
世界名曲:天鵝湖 | 蔡榮吉, 李淑雲, 吳爾笠 | C Major | 2 | 8B | 160 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM |
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