Henry Purcell, Julia Gooding/James Bowman/Howard Crook/Michael George/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt, David Wilson-Johnson, George Michael, Gustav Leonhardt, Orchestra of the Age of Enlightenment's 'Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 8, Duet. "Her Hero to Whose Conduct and Whose Arms"' came out on 1992. With Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 8, Duet. "Her Hero to Whose Conduct and Whose Arms" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Purcell - Odes for Queen Mary". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 8, Duet. "Her Hero to Whose Conduct and Whose Arms"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Purcell: Now Does the Glorious Day Appear, Z. 332 "Ode for Queen Mary's Birthday": No. 8, Duet. "Her Hero to Whose Conduct and Whose Arms" by Henry Purcell, Julia Gooding/James Bowman/Howard Crook/Michael George/Choir of the Age of Enlightenment/Orchestra of the Age of Enlightenment/Gustav Leonhardt, David Wilson-Johnson, George Michael, Gustav Leonhardt, Orchestra of the Age of Enlightenment having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
The Married Beau, or The Curious Impertinent, Z. 603: IV. Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D Major | 0 | 10B | 0 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 70 BPM | ||
O solitude, my sweetest choice, Z. 406 | Henry Purcell, Valer Barna-Sabadus, Pavel Serbin, Axel Wolf | B Minor | 1 | 10A | 73 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM |
Section: 0.8967008590698242
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