Carl Orff, Cleveland Orchestra, Michael Tilson Thomas's 'Carmina Burana: Ecce gratum' came out on 1975. The duration of Carmina Burana: Ecce gratum is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Carmina Burana: Ecce gratum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Orff: Carmina Baruna". In this album, this song's track order is #5. Carmina Burana: Ecce gratum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Ecce gratum by Carl Orff, Cleveland Orchestra, Michael Tilson Thomas having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Carmina Burana / 1. Primo vere: "Veris leta facies" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
La Boutique Fantasque: Tarantella | Gioachino Rossini, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 2 | 7A | 94 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer) | Philharmonic Wind Orchestra, Marc Reift Orchestra | F Major | 4 | 7B | 91 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Nur stille, stille" - "Die Strahlen der Sonne" | Wolfgang Amadeus Mozart, Kurt Azesberger, Erika Miklósa, Caroline Stein, Heidi Zehnder, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner, Anne-Caroline Schlüter, René Pape | E♭ Major | 2 | 5B | 83 BPM | ||
Liber scriptus | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | D Major | 1 | 10B | 79 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM |
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