Philharmonic Wind Orchestra, Marc Reift Orchestra made "Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer)" available on June 6, 2016. With this song being about 5 minutes long, at 4:57, "Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer)" by Philharmonic Wind Orchestra, Marc Reift Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 71 in Festival Concert 32 by Philharmonic Wind Orchestra, Marc Reift Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hungarian March, Op. 24 (Arranged by John Glenesk Mortimer) by Philharmonic Wind Orchestra, Marc Reift Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | B♭ Major | 1 | 6B | 139 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Chariots Of Fire | Marc Reift Orchestra | B♭ Major | 5 | 6B | 144 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Tetris Theme | Marc Reift Philharmonic Wind Orchestra, Marc Reift Orchestra | G Minor | 5 | 6A | 143 BPM | ||
Streets of San Francisco (Arranged by Jirka Kadlec) | Marc Reift Orchestra | F Minor | 8 | 4A | 111 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM |
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