- BPM
- 99
- Key
- E Minor
- Camelot
- 9A
St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" - Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic Information
- Acousticness
- 97%
- Danceability
- 21%
- Energy
- 22%
- Instrumentalness
- 7%
- Liveness
- 46%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 18%
- Popularity
- 4%
- Loudness
- -18.593 dB
Summary
"St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me"" by Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic was released on 1963. Since St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 67 in Bach: Saint Matthew Passion, BWV 244 by Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic, Collegiate Chorale. In terms of popularity, St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" BPM
The tempo marking of St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" by Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
St Matthew Passion, BWV 244: Part II, No. 47: Aria "Have Pity, Lord, On Me" Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | |
 | Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | |
 | Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 112 BPM | |
| Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | |
 | Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6243939399719238
End: 0.6282238960266113