Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley made "Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Give the vengeance due" available on February 19, 2013. The duration of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Give the vengeance due is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Give the vengeance due's duration is considered a little bit shorter than the average duration of a typical track. The song is number 41 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Give the vengeance due is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Accompanied recitative: Give the vengeance due by Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM | ||
Fantasia dall'Austria: "Le Desir" su un tema di Franz Schubert, Op.2: VII. Variazione V Rondò allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | A♭ Major | 4 | 4B | 107 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
Le Roi et la Comtesse | Stephen Warbeck | G Minor | 0 | 6A | 77 BPM | ||
Theodora, HWV 68: Accompagnato: Oh, worse than death indeed!; Air: Angels, ever bright and fair | Handel, English Chamb Orch, Heather Harper, John Lawrenson, Maureen Forrester, Johannes Somary, Amor Artis Chamber Choir, Maureen Lehane* F Major | 2 | 7B | 77 BPM | | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 3 | 9B | 108 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM |
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