"Eventide: IX. Variazione VII" by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 15 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Eventide: IX. Variazione VII is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eventide: IX. Variazione VII by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | C Minor | 2 | 5A | 89 BPM | ||
Lux Aeterna: I. Andante misterioso | Rihards Dubra, Saxtett | G Major | 0 | 9B | 66 BPM | ||
Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 3, Molto adagio subito | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
String Theory: Vars. 14-17 - Finale | Bruce Broughton, London Symphony Orchestra, Jonathan Bloxham | D Major | 4 | 10B | 87 BPM | ||
Bright Horizon | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: V. The Girl Dances | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM |