"Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 8, 2024. Since Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Stravinsky: Petrushka; Debussy: Jeux, Prélude". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite, K010, (1945 Version): I. Introduction | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | ||
Parysatis, R. 312: Introduction. Air de ballet No. 1 | Camille Saint-Saëns, Orchestre Divertimento, Zahia Ziouani | F Major | 1 | 7B | 142 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
The Ring - An Orchestral Adventure, arranged by Henk de Vlieger: I. Vorspiel | Richard Wagner, Kristjan Järvi | E♭ Major | 0 | 5B | 95 BPM | ||
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, Jean-Bernard Pommier, City of London Sinfonia, Richard Hickox | D Minor | 2 | 7A | 126 BPM | ||
Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | E Minor | 2 | 9A | 79 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefield | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 0 | 3B | 115 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM |
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