"Parysatis, R. 312: Introduction. Air de ballet No. 1" by Camille Saint-Saëns, Orchestre Divertimento, Zahia Ziouani was released on May 19, 2023. The duration of Parysatis, R. 312: Introduction. Air de ballet No. 1 is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Parysatis, R. 312: Introduction. Air de ballet No. 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Bacchanale: Saint-Saëns et la Méditerranée by Orchestre Divertimento, Zahia Ziouani, Ensemble Amedyez, Fettouma Ziouani, Patrick Messina, Silvia Careddu, Stéphane-France Léger. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Parysatis, R. 312: Introduction. Air de ballet No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parysatis, R. 312: Introduction. Air de ballet No. 1 by Camille Saint-Saëns, Orchestre Divertimento, Zahia Ziouani is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Debussy - Claire De Lune | Martin Bloch | D♭ Major | 0 | 3B | 74 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
3 Compositions, Op. 40: No. 2, Berceuse | Amy Beach, Rachel Barton Pine, Matthew Hagle | D Major | 0 | 10B | 87 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM |
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