"3 Compositions, Op. 40: No. 2, Berceuse" by Amy Beach, Rachel Barton Pine, Matthew Hagle was released on November 16, 2018. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Lullabies by Rachel Barton Pine, Matthew Hagle. The song's track number on the album is #4 out of 28 tracks. Based on our data, United States was the country where this track was produced or recorded. 3 Compositions, Op. 40: No. 2, Berceuse is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 3 Compositions, Op. 40: No. 2, Berceuse by Amy Beach, Rachel Barton Pine, Matthew Hagle has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 3 Compositions, Op. 40: No. 2, Berceuse being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Variations on Balkan, Op. 60: IV. Andante alla Barcarola | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 64 BPM | ||
3 Romances sans paroles, Op. 17: III. Andante moderato | Jonny Southard | A♭ Major | 0 | 4B | 67 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
Adagio in E Flat (Arr. Ólafsson from String Quintet No. 3 in G Minor, K. 516) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | E♭ Major | 0 | 5B | 76 BPM | ||
Duo merveille, Op. 6 "Duet for One" | Niccolò Paganini, Rachel Barton Pine | G Major | 0 | 9B | 131 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Violin Concerto in A minor, Op. 53: III. Finale: Allegro giocoso ma non troppo | Antonín Dvořák, Rachel Barton Pine, Teddy Abrams, Royal Scottish National Orchestra | G Major | 1 | 9B | 127 BPM |
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