Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling's 'Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino' came out on September 29, 2009. With Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Taneyev, S.I.: Suite De Concert / Ioann Damaskin (John of Damascus)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. The popularity of Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino by Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | F Major | 0 | 7B | 134 BPM | ||
Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato | Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling | E♭ Major | 3 | 5B | 178 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Anne-Sophie Mutter, Alexis Weissenberg | G Major | 1 | 9B | 147 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Repose (Elegy) in E Major | Sergei Taneyev, Joseph Banowetz | C Major | 2 | 8B | 95 BPM | ||
Serenade for Clarinet Quartet in B Major, Op. 4: I. Moderato | Ernst Krenek, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | C Major | 0 | 8B | 60 BPM | ||
Piano Quartet in E Major, Op. 20: I. Allegro brillante | Sergei Taneyev, Laurent Albrecht Breuninger, Julien Heichelbech, Bernhard Lörcher, Anna Zassimova | E♭ Major | 0 | 5B | 84 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM |
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