"La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard)" by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard was released on April 26, 2024. La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard) is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The song is number 8 out of 15 in Claude Debussy: Images retrouvées by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La damoiselle élue L. 69b: Prélude (Arr. For Cello And Piano By Olivier Hébert-Bouchard) by Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Les 3 Valses distinguées du précieux dégoûté: II. Son binocle | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Drei Romanzen: I Allegro molto | Clara Schumann, Christoph Richter, Dénes Várjon | D♭ Major | 0 | 3B | 85 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): IV. Polo | Manuel de Falla, Duo Arnicans | A Minor | 2 | 8A | 115 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Danses sacrée et profane, L. 103 | Claude Debussy, Yolanda Kondonassis, Richard Weiss, Thomas Sperl, Stanley Konopka, Martin Chalifour, Wei-Fang Gu | E♭ Major | 0 | 5B | 107 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Trio Sōra | B Major | 1 | 1B | 52 BPM | ||
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM |
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