Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling's 'Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato' came out on September 29, 2009. With Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Taneyev, S.I.: Suite De Concert / Ioann Damaskin (John of Damascus)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. The popularity of Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato by Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
Concerto-Fantasy: I. Dolce Cantabile - Allegro | Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow | F Major | 1 | 7B | 77 BPM | ||
Piano Trio in G Major, CD 5: I. Andantino con moto – Allegro appassionato | Claude Debussy, Florestan Trio | C Major | 1 | 8B | 96 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 22. Un poco più vivo (alla breve) | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | B♭ Major | 2 | 6B | 86 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Suite, Op. 23: IV. Lied. Schlicht und innig, nicht zu langsam | Erich Wolfgang Korngold, Spectrum Concerts Berlin, Boris Brovtsyn, Clara Jumi Kang, Torleif Thedéen, Eldar Nebolsin | D♭ Major | 0 | 3B | 87 BPM | ||
Sinfonia in D Major, BWV 789 | Johann Sebastian Bach, Sergei Taneyev, Valentina Danelon, Yulia Berinskaya, Anna Serova | D Major | 2 | 10B | 117 BPM | ||
La oración del torero, Op. 34 (Version for String Orchestra) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 82 BPM | ||
Piano Trio in G Major, CD 5: IV. Finale. Appassionato | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM |
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