- BPM
- 126
- Key
- F Major
- Camelot
- 7B
The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises - Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 98%
- Danceability
- 42%
- Energy
- 6%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 46%
- Speechiness
- 3%
- Valence
- 81%
- Popularity
- 6%
- Loudness
- -32.499 dB
Summary
On September 26, 2022, the song "The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises" was released by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit. With The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 62 out of 373 in A Dose of Tchaikovsky by Pyotr Ilyich Tchaikovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises BPM
The tempo marking of The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The Sleeping Beauty, Op. 66, TH.13 / Act 2: 12e. Danse des marquises Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | |
 | Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM | |
 | Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | |
 | Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | |
 | Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | |
 | 1st Movement: Adaggio / Allegro Molto | London Philharmonic Orchestra | E Minor | 1 | 9A | 116 BPM | |
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM |
- ISRC
- GBF079242712
- Label
- L-M Records/RCA Records
Section: 0.7318367958068848
End: 0.7378802299499512