Diego Pisador, Ugo Nastrucci made "Que Farem del Pobre Joan" available on November 30, 2018. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Si la Noche Haze Escura (Villancicos Desde Cancionero del Duque de Calabria, 1556)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Italy. Based on our statistics, Que Farem del Pobre Joan's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Que Farem del Pobre Joan by Diego Pisador, Ugo Nastrucci having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
Elizabeth and Essex - Queen Elizabeth's Gaillard | Hopkinson Smith, John Dowland | A Minor | 1 | 8A | 88 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM | ||
Fantasia No. 15 | Francesco da Milano, Jakob Lindberg | F Major | 1 | 7B | 94 BPM | ||
The First Part of Ayres, 1605: Love's Farewell | Tobias Hume, Sarah Cunningham | F♯ Major | 0 | 2B | 75 BPM | ||
Lute Sonata No. 9: I. Preludio | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 179 BPM | ||
Courante I | Johann Daniel Mylius, Lutz Kirchhof | B Minor | 1 | 10A | 76 BPM | ||
Toccate | Paolo D'Aragon, Joachim Held | E Minor | 1 | 9A | 79 BPM |
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