"Tausend und eine Nacht, Walzer, Op. 346" by Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker was released on January 7, 2022. Since Tausend und eine Nacht, Walzer, Op. 346 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Neujahrskonzert 2022 / New Year's Concert 2022 / Concert du Nouvel An 2022". In this album, this song's track order is #2. Tausend und eine Nacht, Walzer, Op. 346 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tausend und eine Nacht, Walzer, Op. 346 by Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Lucia Popp, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 133 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Die Fledermaus / Act 2: Nr.7 Couplet: "Ich lade gern mir Gäste ein" | Johann Strauss II, Hermann Prey, Ivan Rebroff, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 134 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Minuet from String Quintet in E, Op.13, No.5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 106 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale - Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 138 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Concerto for Strings in G Major, RV 151, "Alla Rustica": I. Presto | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | D Major | 3 | 10B | 107 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM |
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