"Tableaux de provence: II. Cansoun per ma mio" by Paule Maurice, Joël Versavaud, Laura Caravello was released on September 4, 2015. With Tableaux de provence: II. Cansoun per ma mio being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 21 in Croquembouches by Joël Versavaud, Laura Caravello. Tableaux de provence: II. Cansoun per ma mio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tableaux de provence: II. Cansoun per ma mio by Paule Maurice, Joël Versavaud, Laura Caravello is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Ciudades: I. Córdoba | Guillermo Lago, Fukio Ensemble | A♭ Major | 3 | 4B | 90 BPM | ||
Ibert: 3 Pièces brèves: III. Assez lent - Allegro Scherzando | Jacques Ibert, Les Vents Français, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | B Major | 1 | 1B | 78 BPM | ||
Renaissance Concerto: II. Baroque Interlude (After Rameau) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 1 | 4B | 117 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Paquito (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | C Minor | 2 | 5A | 65 BPM | ||
Rhapsody for Clarinet | Willson Osborne, Karl Leister | D♭ Major | 0 | 3B | 143 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso III | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Šíma | E♭ Major | 1 | 5B | 73 BPM |
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