Herr, auf dich traue ich, SWV 377 - Heinrich Schütz, Dresdner Kammerchor, Hans-Christoph Rademann Information

Acousticness: 99%
Danceability: 18%
Energy: 12%
Instrumentalness: 2%
Liveness: 5%
Loudness: 64%
Speechiness: 5%
Valence: 8%
Popularity: 4%
Loudness: -21.363 dB

Summary

"Herr, auf dich traue ich, SWV 377" by Heinrich Schütz, Dresdner Kammerchor, Hans-Christoph Rademann was released on July 29, 1996. The duration of Herr, auf dich traue ich, SWV 377 is about 3 minutes long, at 3:01. Based on our data, "Herr, auf dich traue ich, SWV 377" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 13 in Four Centuries of Sacred Choral Music I by Hans-Christoph Rademann, Dresdner Kammerchor. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Herr, auf dich traue ich, SWV 377 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Herr, auf dich traue ich, SWV 377 BPM

The tempo marking of Herr, auf dich traue ich, SWV 377 by Heinrich Schütz, Dresdner Kammerchor, Hans-Christoph Rademann is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Herr, auf dich traue ich, SWV 377 Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ola, o che bon eccho!	Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini	E♭ Minor	1	2A	63 BPM
Johannes-Passion, SWV 481: III. Jesus vor Hannas und Kaiphas, Verleugnung des Petrus	Heinrich Schütz, Marie Luise Werneburg, Jan Kobow, Tobias Mathger, Harry Van Der Kamp, Matthias Lutze, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann	D♭ Major	0	3B	191 BPM
O meine Seel, warum bist du betrübet, SWV 419	Heinrich Schütz, Georg Poplutz, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy	D♭ Major	3	3B	60 BPM
Introitus: I. Requiem aeternam	Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena	A♭ Major	1	4B	88 BPM
Prime die Lectio secunda: XI. Vau	Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre	A♭ Minor	0	1A	81 BPM
Missa Pontificalis: Kyrie	Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti	D Minor	0	7A	70 BPM
Ecce quomodo moritur justus	Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung	F Major	0	7B	137 BPM
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion"	Johann Sebastian Bach, The Hilliard Ensemble	A♭ Major	1	4B	81 BPM
Guerrero: Ave virgo sanctissima	A5 Vocal Ensemble, Francisco Guerrero	D♭ Major	3	3B	114 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis	Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen	B Minor	1	10A	139 BPM