"O meine Seel, warum bist du betrübet, SWV 419" by Heinrich Schütz, Georg Poplutz, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy was released on September 1, 2011. Since O meine Seel, warum bist du betrübet, SWV 419 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schütz: Musikalische Exequien und andere Trauergesänge (Complete Recording Vol. 3)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. O meine Seel, warum bist du betrübet, SWV 419 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O meine Seel, warum bist du betrübet, SWV 419 by Heinrich Schütz, Georg Poplutz, Dresdner Kammerchor, Hans-Christoph Rademann, Ludger Rémy having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Stabat Mater: I. Stabat Mater | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM | ||
Purcell: Blessed Are They That Fear the Lord, Z. 5 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Peter Castle, Jonathan Robarts, Francis Grier, Michael Cockerham, Academy of St. Martin in the Fields | G Minor | 0 | 6A | 80 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM |
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