Johann Christian Bach, Bela Banfalvi, Karoly Botvay, Budapest Strings's 'Symphonie concertante in A Major, W. C34: I. Andante di molto' came out on January 1, 2009. Symphonie concertante in A Major, W. C34: I. Andante di molto appears to be safe for all ages as it is not explicit. The song is number 9 out of 44 in Bach, J.C.: Symphonie Concertanti by Johann Christian Bach, Budapest Strings. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphonie concertante in A Major, W. C34: I. Andante di molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie concertante in A Major, W. C34: I. Andante di molto by Johann Christian Bach, Bela Banfalvi, Karoly Botvay, Budapest Strings is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto - | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 0 | 9B | 86 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Keyboard Concerto in B-Flat Major, Op. 1 No. 1: I. Allegretto | Johann Christian Bach, Ingrid Haebler, Capella Academica Wien, Eduard Melkus | B♭ Major | 1 | 6B | 101 BPM | ||
Keyboard Concerto in C Major, Op. 7 No. 1: II. Menuetto | Johann Christian Bach, Ingrid Haebler, Capella Academica Wien, Eduard Melkus | G Major | 1 | 9B | 79 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": I. Presto | Antonio Vivaldi, The English Concert, Trevor Pinnock | F Minor | 1 | 4A | 62 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM |
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