- BPM
- 175
- Key
- D Major
- Camelot
- 10B
Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) - Vincenzo Bellini, Christa Ludwig, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 6%
- Valence
- 6%
- Popularity
- 6%
- Loudness
- -24.002 dB
Summary
"Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma)" by Vincenzo Bellini, Christa Ludwig, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. The duration of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. The popularity of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) BPM
The tempo marking of Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) by Vincenzo Bellini, Christa Ludwig, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Norma (1997 Digital Remaster), ACT 2, Scene 1: Me chiami, o Norma! (Adalgisa/Norma) Key
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | |
 | La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | |
 | Il Pirata, Act I: Del disastro di questi infelici | Vincenzo Bellini, Felice Romani, Antonio Di Matteo, Javier Camarena, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | |
 | Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | |
 | Il Pirata (1997 Digital Remaster), ACT 1, Scene 2: Bagnato dalle lagrime d'un cor | Vincenzo Bellini, Maria Callas, Nicola Rescigno, The American Opera Society Orchestra, Concertgebouworkest | F Major | 1 | 7B | 77 BPM | |
 | La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | |
 | Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | |
 | Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.754631757736206
End: 0.7601921558380127