"The Importance of Being Earnest, Act II: I Had No Idea (Live)" by Gerald Barry, Katalin Károlyi, Barbara Hannigan, Peter Tantsits, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès had its release date on November 4, 2014. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 22 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act II: I Had No Idea (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Importance of Being Earnest, Act II: I Had No Idea (Live) by Gerald Barry, Katalin Károlyi, Barbara Hannigan, Peter Tantsits, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jabberwocky | Gerald Barry, Mark Padmore, Richard Watkins, Huw Watkins | C Major | 1 | 8B | 119 BPM | ||
Triorchic Blues (Arr. for Violin, Cello & Piano) | Gerald Barry, Fidelio Trio | A Minor | 6 | 8A | 107 BPM | ||
Harp Concerto, Op. 25: II. Molto moderato | Alberto Ginastera, Xavier De Maistre, Bertrand de Billy, Vienna Radio Symphony Orchestra | C Major | 0 | 8B | 78 BPM | ||
Triorchic Blues (Arr. for Violin) | Gerald Barry, Michael D'Arcy | F Major | 0 | 7B | 106 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Strum | Jessie Montgomery, Catalyst Quartet | A Minor | 2 | 8A | 158 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Piano Trio in G Minor, Op. 17: I. Allegro moderato | Clara Schumann, Storioni Trio | C Minor | 0 | 5A | 69 BPM | ||
Harpsichord Suite in E minor - HWV 438: Jig | George Frideric Handel, Trevor Pinnock | E♭ Minor | 4 | 2A | 76 BPM |