Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te"
Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Piotr Beczala, Mariinsky Orchestra
Donizetti: Lucia di Lammermoor
4:29 July 25, 2011
BPM
74
Key
C Major
Camelot
8B

Embed

Share Link

Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te" - Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Piotr Beczala, Mariinsky Orchestra Information

Acousticness
99%
Danceability
55%
Energy
35%
Instrumentalness
2%
Liveness
65%
Loudness
80%
Speechiness
19%
Valence
53%
Popularity
Loudness
-12.075 dB

Summary

Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Piotr Beczala, Mariinsky Orchestra made "Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te"" available on July 25, 2011. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Russia. Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te" BPM

The tempo marking of Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Piotr Beczala, Mariinsky Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Lucia di Lammermoor, Act I, Scene II: No. 4c Moderato assai "Verranno a te" Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Op 34, N. 2: Op 34, N. 2: "Auf Flügeln des Gesanges"Victoria de los ÁngelesA♭ Major14B138 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonJulius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonE Major012B72 BPM
Tosca by Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-PradelliToscaRenata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-PradelliD Major210B112 BPM
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée by Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo ArrivabeniCarmen, WD 31 / Act 2: La fleur que tu m'avais jetéeGeorges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo ArrivabeniE♭ Major35B96 BPM
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di MilanNorma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso)Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di MilanA Minor38A82 BPM
Le nozze di Figaro, K.492 / Act 4: Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar"Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James LevineF Major07B97 BPM
La Bohème / Act 1: La Bohème / Act 1: "O soave fanciulla"Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin DavisE Major212B81 BPM
"Depuis le jour"Gustave Charpentier, Anna NetrebkoG Major19B87 BPM
La Cenerentola / Act 2: La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta"Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry LewisF Major17B125 BPM
Adriana Lecouvreur: Act Ii L'anima Ho Stanca by Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo BasileAdriana Lecouvreur: Act Ii L'anima Ho StancaFranco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo BasileB Minor410A101 BPM
ISRC
RUA521001211
Label
L-M Records/RCA Records

Section: 0.6443600654602051

End: 0.6499595642089844