"Ave Maria, WoO 7 no. 1" by Josef Rheinberger, Choirs of St. John Cantius, Rev. Scott A. Haynes, S.J.C. was released on 2010. The duration of Ave Maria, WoO 7 no. 1 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Ave Maria, WoO 7 no. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "St. John Cantius Presents: The Traditional Rosary with Music and Devotions in Honor of Our Lady". In this album, this song's track order is #12. Ave Maria, WoO 7 no. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria, WoO 7 no. 1 by Josef Rheinberger, Choirs of St. John Cantius, Rev. Scott A. Haynes, S.J.C. having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das ist je gewißlich wahr, SWV 277 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 106 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
The Long Day Closes | Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach | G Major | 1 | 9B | 120 BPM | ||
Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | C Major | 1 | 8B | 92 BPM | ||
The Heavens' Flock | Ēriks Ešenvalds, Paulann Petersen, Portland State University Chamber Choir, Ethan Sperry | C Minor | 1 | 5A | 174 BPM | ||
Aeterna Christi munera et martyrum victorias | Saint Ambrose, Le Concert Spirituel, Herve Niquet | C Major | 0 | 8B | 70 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM |
Section: 0.7084131240844727
End: 0.7133467197418213