"Chants d'Auvergne, Vol. 1: No. 7. Uno Jionto Postouro (A Fair Shepherd Lass)" by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus was released on November 1, 2004. The duration of Chants d'Auvergne, Vol. 1: No. 7. Uno Jionto Postouro (A Fair Shepherd Lass) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Chants d'Auvergne, Vol. 1: No. 7. Uno Jionto Postouro (A Fair Shepherd Lass)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 21 in Canteloube: Chants D'Auvergne by Joseph Canteloube, Véronique Gens, Jean-Claude Casadesus. The popularity of Chants d'Auvergne, Vol. 1: No. 7. Uno Jionto Postouro (A Fair Shepherd Lass) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants d'Auvergne, Vol. 1: No. 7. Uno Jionto Postouro (A Fair Shepherd Lass) by Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
La delaïssádo (The Abandoned) - Chants d'Auvergne - Remastered 2022 | Joseph Canteloube, Netania Davrath | A♭ Major | 2 | 4B | 59 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
Gounod / Orch Challan: Ave Maria, CG 89a | Charles Gounod, Johann Sebastian Bach, Barbara Hendricks, Erik Lundkvist, Eric Ericson, Stockholm Chamber Orchestra | G Major | 2 | 9B | 100 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM |
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