"Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Alexander Kravets, Danilo Rigosa was released on 1994. The duration of Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #8 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Alexander Kravets, Danilo Rigosa has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Francesca da Rimini, Op. 4, Act I, Scene 7: Egli era si povero ad arnese (Ser Toldo, Ostasio) being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalizzo | Riccardo Zandonai, Margherita Guarino, Stefano Guarino | C Minor | 1 | 5A | 117 BPM | ||
Francesca da Rimini, Op. 4, Act I: Oimè che adesso io provo | Riccardo Zandonai, Christina Vasileva, Opernchor des Theater Freiburg, Extrachor des Theater Freiburg, Vokalensemble der Hochschule für Musik Freiburg, Freiburger Kammerchor, Philharmonisches Orchester Freiburg, Fabrice Bollon | E Minor | 2 | 9A | 133 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 1: Linda, mia dolce figlia! | Gaetano Donizetti, Marina de Liso, Vittorio Prato, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
La forza del destino, Act II, Scene I: Viva la guerra! | Giuseppe Verdi, Anna Maria Chiuri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Minor | 2 | 8A | 121 BPM | ||
Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
Fra i monti: I. Canzone, Andante mosso - Suite for Flute, Oboe, Clarinet, Horn, Bassoon and Piano | Riccardo Zandonai, Giovanni Costantini, Jessica Dalsant, Fabio Righetti, Marco Bruschetti, Stefano Rossi, Francesco Fontolan, Calogero Di Liberto | A♭ Major | 1 | 4B | 64 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Terra e mare, SC 73 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM |
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