Robert Parsons, Amsterdam Loeki Stardust Quartet's 'Ut Re Mi Fa Sol La' came out on January 1, 1993. With this song being about 5 minutes long, at 4:39, "Ut Re Mi Fa Sol La" by Robert Parsons, Amsterdam Loeki Stardust Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 20 in English Renaissance Music by Amsterdam Loeki Stardust Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ut Re Mi Fa Sol La's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ut Re Mi Fa Sol La by Robert Parsons, Amsterdam Loeki Stardust Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Binchois: Amours mercy de trespout non pooir | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | D♭ Minor | 1 | 12A | 88 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
In nomine No. 2 à 7 | Robert Parsons, Le Strange Viols | F♯ Minor | 0 | 11A | 90 BPM | ||
Sir John Souch His Galiard | Jordi Savall, John Dowland | C Major | 1 | 8B | 116 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Missa "Mille Regretz": Kyrie (Morales) | The Hilliard Ensemble | B Minor | 1 | 10A | 78 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Terpsichore (arr. H. Baumer): Courante | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 3 | 9B | 111 BPM |
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