Arleen Auger's 'Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion' came out on January 1, 2000. With this song being about 5 minutes long, at 4:33, "Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion" by Arleen Auger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 38 in Auger, Arleen: Arias by Arleen Auger. In terms of popularity, Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Messiah, HWV 56: Messiah, HWV 56: Part I, Aria: Rejoice greatly, O daughter of Zion by Arleen Auger is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 32a, Duet. "Graceful Consort" (Adam, Eve) | Joseph Haydn, Arleen Augér/David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, Arleen Auger, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E♭ Major | 2 | 5B | 84 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 30. Duett mit Chor: "Von deiner Güt', o Herr und Gott - Der Sterne hellster, o wie schön" | Franz Joseph Haydn, Gundula Janowitz, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 2 | 8B | 100 BPM | ||
Orlando, HWV 31 / Act 1: Consolati o bella | George Frideric Handel, Arleen Auger, Emma Kirkby, Catherine Robbin, Academy of Ancient Music, Christopher Hogwood | C Minor | 0 | 5A | 77 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Arleen Auger, Benjamin Luxon, John Butt, Choir of King's College, Cambridge, English Chamber Orchestra, Philip Ledger | D Major | 0 | 10B | 79 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Air. "With Verdure Clad" (Gabriel) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Salve Regina HWV 241: Ad te clamamus | George Frideric Handel, Arleen Auger, Orchestra of Westminster Abbey, Simon Preston | B Minor | 0 | 10A | 107 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM |
Section: 0.5864839553833008
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