Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel's 'Quintet in F Major for Bassett Horn and Strings, Op.9 / I.Allegro' came out on September 14, 2010. Since Quintet in F Major for Bassett Horn and Strings, Op.9 / I.Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Backofen, Mozart: Themes & Variations by Eybler Quartet, Jane Booth, Max Mandel. Based on our statistics, Quintet in F Major for Bassett Horn and Strings, Op.9 / I.Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Quintet in F Major for Bassett Horn and Strings, Op.9 / I.Allegro by Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM | ||
Macbeth: Menuetto to be Play’d at the Banquet | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 113 BPM | ||
Variation no. 12 | Classical Mirror | A Major | 1 | 11B | 67 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 12, Springdans (etter Myllarguten). Allegro | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Kettenbrucke Galoppe (Chain-Bridge Galop), Op. 21b | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | F Major | 2 | 7B | 123 BPM | ||
La Caroline, Wq. 117 No. 39, H. 98 | Carl Philipp Emanuel Bach, Tini Mathot | F♯ Major | 2 | 2B | 100 BPM | ||
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro | Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia | F Minor | 0 | 4A | 75 BPM |
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