"Constellations, Act II Scene 2: It's fine, forget what I said" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young was released on December 15, 2020. With Constellations, Act II Scene 2: It's fine, forget what I said being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 31 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act II Scene 2: It's fine, forget what I said is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act II Scene 2: It's fine, forget what I said by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? | Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer | F♯ Minor | 1 | 11A | 84 BPM | ||
Swing Low, Sweet Chariot | Traditional, Derek Lee Ragin, Bridget A Bazile, The Moses Hogan Singers, Moses Hogan | E♭ Major | 0 | 5B | 85 BPM | ||
Sleep | Ivor Gurney, Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
Carmen, Act II, No.18 Finale: Bel officier, l'amour vous joue en ce moment un assez vilain tour! (Carmen/Le Remendado/Le Dancaïro/Bohémiens/Zuniga) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 62 BPM | ||
Constellations, Act I Scene 5: The clouds, dark, and those nocturnal creatures! | Efraín Amaya, Arts Crossing Chamber Orchestra, Dan Kempson, Raquel Winnica Young | E♭ Minor | 1 | 2A | 163 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Adams: Nixon in China: Act I, Scene 2 - "Like the Ming Tombs." | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 96 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM |
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