"Rhapsody on a Theme of Paganini, Op. 43: Variation 18" by Sergei Rachmaninoff, Tamás Vásáry, London Symphony Orchestra, Yuri Ahronovitch was released on January 1, 1998. The duration of Rhapsody on a Theme of Paganini, Op. 43: Variation 18 is about 3 minutes long, at 3:18. Based on our data, "Rhapsody on a Theme of Paganini, Op. 43: Variation 18" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Rachmaninov: "Paganini" Rhapsody; 6 Preludes; "Corelli" Variations". In this album, this song's track order is #5. Rhapsody on a Theme of Paganini, Op. 43: Variation 18 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Variation 18 by Sergei Rachmaninoff, Tamás Vásáry, London Symphony Orchestra, Yuri Ahronovitch having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
For the Love of a Princess (from "Braveheart") | James Horner, HAUSER, Robin Smith, London Symphony Orchestra | D Minor | 3 | 7A | 93 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Alexis Weissenberg, Leonard Bernstein, Orchestre National De France | C Major | 3 | 8B | 88 BPM | ||
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Arensky: Variations on a Theme of Tchaikovsky, Op.35a: Theme. Moderato | Anton Arensky, Sir John Barbirolli, London Symphony Orchestra | B♭ Major | 2 | 6B | 92 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM |
Section: 0.7619543075561523
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