"Der Diktator, Op. 49: Scene 2: Ich werde noch arbeiten (Dictator, Charlotte)" by Ernst Krenek, Urban Malmberg, Celina Lindsley, Robert Worle, Gabriele Maria Ronge, Deutsches Symphonie-Orchester Berlin, Marek Janowski was released on January 1, 2004. With Der Diktator, Op. 49: Scene 2: Ich werde noch arbeiten (Dictator, Charlotte) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ernst Krenek, Marek Janowski's "Krenek, E.: Diktator (Der) / Schwergewicht, Oder Die Ehre Der Nation / Das Geheime Konigreich [Opera]" album is number 7 out of 29. On top of that, United States appears to be the country where this track was created. The popularity of Der Diktator, Op. 49: Scene 2: Ich werde noch arbeiten (Dictator, Charlotte) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Diktator, Op. 49: Scene 2: Ich werde noch arbeiten (Dictator, Charlotte) by Ernst Krenek, Urban Malmberg, Celina Lindsley, Robert Worle, Gabriele Maria Ronge, Deutsches Symphonie-Orchester Berlin, Marek Janowski to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
String Quartet No. 1 in C Major, Op. 49: IV. Allegro | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): VI | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Horn Trio in E-Flat Major, Op. 40 (Version for Piano Trio): III. Adagio mesto | Johannes Brahms, Trio Sōra | F Minor | 0 | 4A | 106 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM |
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