"Super flumina Babylonis" by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers had its release date on June 1, 2015. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Palestrina Volume 6". In this album, this song's track order is #5. Super flumina Babylonis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Super flumina Babylonis by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Papae Marcelli: Kyrie | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 77 BPM | ||
Thou knowest Lord | Henry Purcell, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 135 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 78 BPM | ||
O nata lux | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 1 | 3A | 81 BPM | ||
Tota Pulchra Es | Maurice Duruflé, The Sixteen | G Minor | 0 | 6A | 104 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Laetatus sum (Salmo 121) RV607 | Antonio Vivaldi, Taverner Choir, Taverner Players, Andrew Parrott | F Major | 2 | 7B | 125 BPM | ||
Tallis: Salvator mundi (Cantiones sacrae 1575) | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 2 | 3A | 82 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM |