Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov made "Don Quixote: Act I: Quiteria's Variation" available on January 1, 1995. With Don Quixote: Act I: Quiteria's Variation being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 23 out of 56. On top of that, United States appears to be the country where this track was created. Based on our statistics, Don Quixote: Act I: Quiteria's Variation's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Don Quixote: Act I: Quiteria's Variation by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
La vida breve, Act II: Danza | Manuel de Falla, Asturias Symphony Orchestra, Maximiano Valdes | D Minor | 1 | 7A | 106 BPM | ||
Chamber Concerto in D Minor, RV 96: I. Allegro | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | A♭ Major | 1 | 4B | 151 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: III. Allegro | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Coda | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 113 BPM |
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