"Emile Waldteufel: Valse des patineurs" by Émile Waldteufel, Orchestre national des Pays de la Loire, David Grimal, Hubert Soudant was released on December 11, 2010. Since Emile Waldteufel: Valse des patineurs is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The French Touch, Vol. 1 (Les chefs d'oeuvre de la musique française)". In this album, this song's track order is #8. In terms of popularity, Emile Waldteufel: Valse des patineurs is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Emile Waldteufel: Valse des patineurs by Émile Waldteufel, Orchestre national des Pays de la Loire, David Grimal, Hubert Soudant having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
Variation XVIII: Andante Cantabile | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 148 BPM | ||
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Les sirènes | Èmile Waldteufel, Ensemble FA | D Major | 0 | 10B | 135 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
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