"Psalm 23, Op. 132, D. 706" by Franz Schubert, The Cambridge Singers, Aurora Orchestra, John Rutter was released on April 24, 2012. With this song being about 5 minutes long, at 5:06, "Psalm 23, Op. 132, D. 706" by Franz Schubert, The Cambridge Singers, Aurora Orchestra, John Rutter is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "This is the Day: Music on Royal Occasions". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Psalm 23, Op. 132, D. 706 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 23, Op. 132, D. 706 by Franz Schubert, The Cambridge Singers, Aurora Orchestra, John Rutter having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Good King Wenceslas | Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens | A♭ Major | 1 | 4B | 77 BPM | ||
Messiah / Part 1: "And He shall purify the sons of Levi" | George Frideric Handel, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 111 BPM | ||
Ave Maria (Angelus Domini) | Franz Xaver Biebl, Boston Trinity Church Choir, Brian Jones | C Major | 1 | 8B | 138 BPM | ||
Ave Maria | Francisco Guerrero, The Cambridge Singers, John Rutter | A Minor | 1 | 8A | 67 BPM | ||
Messiah, HWV 56 / Pt. 3: 51. Chorus: Worthy is the Lamb... Amen | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Major | 3 | 7B | 84 BPM | ||
Ave Maris Stella | Edvard Grieg, The Sixteen, Harry Christophers | G Major | 1 | 9B | 136 BPM | ||
The Lord bless you and keep you | John Rutter, The Cambridge Singers, City of London Sinfonia | F♯ Major | 0 | 2B | 72 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 54 "O Haupt voll Blut und Wunden" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | E Major | 1 | 12B | 78 BPM | ||
Once In Royal David's City | Worcester Cathedral Choir, Robert Stringer, Raymond Johnston, Cecil Frances Alexander, Henry John Gauntlett | G Major | 0 | 9B | 105 BPM | ||
Fauré: 2 Songs, Op. 67: II. Ave Maria | Gabriel Fauré, Choir of King's College, Cambridge, Tom Winpenny, Stephen Cleobury | A♭ Major | 0 | 4B | 63 BPM |
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