"The Trojan Women: Prologue: Smoldering Troy - Produced" by Karel Husa, Brno State Orchestra was released on 1998. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karel Husa's "KAREL HUSA: The Trojan Women , Fantasies For Orchestra , Divertimento For Brass Ensemble And Percussion" album is number 8 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Trojan Women: Prologue: Smoldering Troy - Produced's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Trojan Women: Prologue: Smoldering Troy - Produced by Karel Husa, Brno State Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estancia, Op. 8: Scene 2, La Mañana - Los trabajadores agrícolas | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | F♯ Major | 7 | 2B | 103 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
On Dangerous Ground | Bernhard Herrmann, Vienna Horns | F Major | 4 | 7B | 144 BPM | ||
Incantation and Dance | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | C Minor | 2 | 5A | 141 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Hary Janos Suite: Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 83 BPM | ||
Sur les flots lointains, Op. 130 | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | D Major | 2 | 10B | 126 BPM | ||
Symphony No. 3, "Circus Maximus": I. Introitus | John Corigliano, University of Texas Wind Ensemble, Jerry Junkin | D Major | 6 | 10B | 130 BPM | ||
Concerto for Wind Ensemble: I. Flow | Kevin Day, ASU Wind Ensemble, Jason Caslor | A Minor | 4 | 8A | 106 BPM |
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