Silvius Leopold Weiss, Virginio Fadda made "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante" available on February 1, 2015. The duration of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante is about 3 minutes long, at 3:07. Based on our data, "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 11 out of 24. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): III. Courante by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Suite "Entre dues línies" (Version for 2 Guitars): I. Allegretto | Joaquim Homs, Àlex Garrobé, José Antonio Escobar | A Minor | 1 | 8A | 120 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | G Major | 3 | 9B | 104 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Suonata: Sarabanda | Giovanni Zamboni, Edin Karamazov | A♭ Major | 0 | 4B | 78 BPM | ||
Sonata No. 1 in F Major, WeissSW 1: VII. Gigue | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
Pieces de clavecin, Book 2, 6th Ordre: Les baricades misterieuses (arr. Y. Imamura) | François Couperin, Yasunori Imamura | A♭ Minor | 1 | 1A | 113 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: I. Largo | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 98 BPM |
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