Silvius Leopold Weiss, Michel Cardin made "Sonata No. 1 in F Major, WeissSW 1: VII. Gigue" available on January 1, 2015. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #7 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 1 in F Major, WeissSW 1: VII. Gigue is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 1 in F Major, WeissSW 1: VII. Gigue by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 1 in F Major, WeissSW 1: VII. Gigue being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
La cavaliere: Courante | Francesca Torelli, Charles Mouton | D♭ Minor | 0 | 12A | 79 BPM | ||
Etude in G Minor for Guitar (1) | Andrei Sychra, Marten Falk | G Minor | 0 | 6A | 130 BPM | ||
Barrios Mangoré: La Catedral: II. Andante religioso | Agustín Barrios Mangoré, Thibaut García | F♯ Major | 2 | 2B | 61 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Gagliarda | Christian Zimmermann | B Minor | 2 | 10A | 129 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Emily’s Song - Arr. for Guitar and Harp by Andrew Blanch and Emily Granger | Ross Edwards, Andrew Blanch, Emily Granger | E Major | 0 | 12B | 120 BPM | ||
Valses sentimentales, Op. 50, D. 779: No. 5 in D-Flat Major - Arr. for Guitar Duo | Franz Schubert, Duo Morat-Fergo | E Minor | 1 | 9A | 89 BPM | ||
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM |
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