"Symphony No. 20: II. Adagio" by Jānis Ivanovs, Moscow Symphony Orchestra, Dmitry Yablonsky was released on February 16, 2004. Since Symphony No. 20: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jānis Ivanovs's "Ivanovs: Symphonies Nos. 8 and 20" album is number 6 out of 8. Symphony No. 20: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 20: II. Adagio by Jānis Ivanovs, Moscow Symphony Orchestra, Dmitry Yablonsky to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei (From Adagio for Strings) | Samuel Barber, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
The Revolution Devours Its Children | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 2 | 8B | 135 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Cello Concerto No. 2, W516: I. Allegro non troppo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | D Minor | 1 | 7A | 76 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Sinfonietta: III. Allegro assai | Jānis Ivanovs, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 136 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM |
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