Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo's 'Cello Concerto No. 2, W516: I. Allegro non troppo' came out on September 22, 2023. Cello Concerto No. 2, W516: I. Allegro non troppo appears to be safe for all ages as it is not explicit. This song is part of Villa-Lobos: Cello Concertos, Nos. 1 & 2 & Fantasia for Cello & Orchestra by Heitor Villa-Lobos, Isaac Karabtchevsky, Antonio Meneses, Orquestra Sinfônica do Estado de São Paulo. The song's track number on the album is #4 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Cello Concerto No. 2, W516: I. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto No. 2, W516: I. Allegro non troppo by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Cello Concerto No. 2, W516: I. Allegro non troppo being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet | Huw Watkins, Leonore Piano Trio, Rachel Roberts | D♭ Major | 1 | 3B | 102 BPM | ||
Cateretê | Francisco Mignone, Naomi Munakata, Orquestra Sinfônica do Estado de São Paulo, Naomi Munakata (regente) | E♭ Major | 3 | 5B | 87 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
String Quartet No. 7 in F-Sharp Minor, Op. 108: II. Lento | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 91 BPM | ||
Cuatro Estaciones Porteñas: III. Primavera Porteña - Arr. for Cello and String Orchestra by L. Desyatnikov | Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | E♭ Major | 2 | 5B | 117 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 137 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
5 Pieces for String Quartet: No. 3, Alla czeca | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM |
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