"O König, das kann ich dir nicht sagen (Tristan und Isolde)" by Max Lorenz, Jaro Prohaska, Ludwig Hofmann, Chor Der Staatsoper Berlin, Eugen Fuchs, Staatskapelle Berlin, Benno Arnold, Paula Buchner, Felix Fleischer, Erich Zimmermann, Margarete Klose was released on August 24, 2006. Since O König, das kann ich dir nicht sagen (Tristan und Isolde) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #18. O König, das kann ich dir nicht sagen (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O König, das kann ich dir nicht sagen (Tristan und Isolde) by Max Lorenz, Jaro Prohaska, Ludwig Hofmann, Chor Der Staatsoper Berlin, Eugen Fuchs, Staatskapelle Berlin, Benno Arnold, Paula Buchner, Felix Fleischer, Erich Zimmermann, Margarete Klose having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Figments of My Friends | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Ach! Wo war ich? (Ariadne auf Naxos) | Melanie Frutschnigg, Vienna State Opera Orchestra, Erich Kunz, Irmgard Seefried, Josef Witt, Alda Noni, Friedrich Jelinek, Alfred Muzzarelli, Hermann Baier, Marjan Rus, Elisabeth Rutgers, Hans Schweiger, Richard Sallaba, Paul Schöffler, Max Lorenz, Emmy Loose, Maria Reining, Peter Klein | E Minor | 1 | 9A | 84 BPM | ||
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
Otello: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E♭ Major | 2 | 5B | 138 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Achmet und Zenide, Act V: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 141 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Vorspiel (Die Walküre) | Max Lorenz, Staatskapelle Dresden, Kurt Böhme, Margarete Teschemacher | D Minor | 3 | 7A | 131 BPM | ||
Kapitel 7 - Folge 15: Der Freischütz | Gruselkabinett, Marius Claren, Luise Helm, Jochen Schröder, Johann August Apel | G Major | 6 | 9B | 127 BPM |
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